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VANISHING WORDS

Today, Humra Quraishi talks about why she will pray namaz but will not celebrate Eid.

I&r...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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Signs of the times: Breaking the silence

Humra Quraishi explores why even the brave and honest in positions of authority choose to remain silent when they are witness ...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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